Goritsy,
the last point of my quirky trip on October 5th. Well, I should
daresay, on one hand weather condition were the best for landscape shooting – mild
light, shades, semi-transparent clouds, but on the other one an Arctic
anticyclone covered the entire Vologda province, hence a cold near a large
river was terrible. According to my camera time data it took just 25 minutes to
make the entire series, but eventually that cost me dear – quite predictably I
caught cold. Despite my car heater making its best all the way back, after a week
everything resulted in a high temperature. Nonetheless, that was a success.
Taking the last minutes of a day in lighting conditions like that is a rare luck.
By the way,
the next night my mother mocked at me. As a person hailing from Ivanovo province
she knows perfectly well what that means getting cold on a large river.
Oil and canvas.
A view from the shore dam.
The nunnery entrance.
Cold weather, cold colours.
Praising myself. My old good Nikkor AIS keeps on making its best and never disappoints.
F16, 1/10s,
CPL. Nikkor AIS 28 mm, 1:2.
Let's add some red ochre.
No, of
course, it didn’t look like that in any way, Corel and fantasy are suitable
tools to be used in cases like that. F11, 1/10s, filters are unrecognizable.
Typically it’s easy to discern them, but here this task is challenging.
Adding red
ochre again.
Nikkor AIS,
f11, 1/6s.
Resurrection cathedral. Nikkor AIS, f11, 1/10s, CPL.
Now feel the difference. Nikkor AIS,
f11, 1/13s, skylight L1A.
Evening
light. Resurrection cathedral. CPL.
The same, another version.
The day is
over.
As usual try
feeling the difference between skylight L1A and CPL filters. The old Nikkor AIS
is everywhere.
F11, 1/8s,
skylight L1A.
F11, 1/6s,
CPL.
North-westerly wind over Sheksna.
Nikkor AIS,
f16, 1/8s, CPL.
Panoramic
view of Sheksna.
F11, 1/20s,
standard lens. I seem to have got completely frozen by the moment, since my old
fix wasn’t used for this panorama.
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