Actually,
it’s an old example of a genre that I call “Infernal esthetics” – just my personal definition, I have no idea whether it’s current
anywhere or not. Here we see the entire set of preconditions to fit the
infernal esthetics concept’s frames: the cement factory (“Eurocement”), railway,
cemetery between the author’s position and the factory, technological road and
dull landscape. The
series was taken in 2015, now I have edited it anew. The set looks like a desperate attempt to vivify a gloomy picture. Unfortunately, I neither
used filters nor saved data in .nef, those are pure jpegs.
Geometry.
Sosnovka village and "Eurocement":
Pastel-like colours. Facing towards “Eurocement”:
The same view from a railway:
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